#U he hive serial number mod#
Hive's parameters are arranged on either side of the central hexagon, with Oscillator, Filter, LFO, and Amp and Mod envelopes 1 on the left, and their "2" siblings on the right. Lowpass 12, Lowpass 24, Bandpass, Highpass, Bandreject and Peaking modes are available to both filters, which (in certain synth engine modes, which we'll come back to) can self- oscillate, adding to the instrument's already considerable creative potential. The filter section also offers a few improvements over Sylenth1's, including slightly more sophisticated routing: each oscillator and sub oscillator can be routed to one or both of the filters, and Filter 1 can be routed into Filter 2. This keeps the phase relationship (and, therefore, the beating) between oscillators continuous, although the difference between Flow and Random mode is subtle.Īlso unlike Sylenth1, Hive offers pulse width modulation, though as with a few of the synth's other settings, it doesn't have its own knob, being accessible only via the modulation matrix.
Like Sylenth1, Hive's oscillators feature Random (free) and Reset (synced) phase modes but they also add Flow mode, under which the phase of each note picks up where the previous one left off.
The sub oscillators have their own volume controls and can be transposed up to +/-24 semitones.
The oscillators offer a choice of nine wave types - Sine, Saw, Triangle, Pulse, Square, Half pulse, Narrow pulse, White noise and Pink noise - and each is accompanied by a sub oscillator that can be set to any of the same shapes.
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